Ryan SparksNOFF, FILM

FEATURE PREVIEW: WATER LIKE STONE

Ryan SparksNOFF, FILM
Sunset seen through a shrimp net.  Photo by Michael Pasquier

Sunset seen through a shrimp net.  Photo by Michael Pasquier

THE LAND LOSS OF LOUISIANA'S COASTAL REGIONS IS OFTEN DESCRIBED USING AN UNWIELDY UNIT OF MEASURE: the football field.  While its an easy frame of reference, it creates the visual image of an area of marshland being submerged one hundred-yard rectangle at a time.  Of course, land loss--like football--is a game of inches.  Michael Pasquier, the co-producer of the documentary Water Like Stone, told me that the change is imperceptible while it happens.  Salt water intrudes across an area that’s almost impossible to comprehend, and Pasquier and director Zack Godshall thought that perhaps the best people to aid in the outside world’s comprehension in real terms are the residents of small coastal communities who see it each and every day.  So they headed to Leeville, a tiny village community whose main street, Old US 1, dead ends into a lakefront dirt path called Goat Isle Avenue.  

via Google Maps

via Google Maps

The town in Lafourche Parish was founded by Cajuns moving northward after abandoning the site of a previous fishing village called Cheniere Caminada after it was destroyed by a hurricane in 1893.  Zack Godshall grew up in Lafayette, and as a child traveled on fishing trips all over southern Louisiana, including Leeville.  He recalls the waters as “bountiful” and “beautiful.”  It’s those same waters that, through no fault of their own, will sooner rather than later cause Leeville to be abandoned.  

“As I got older, I kind of realized the gravity of the situation of this place that is literally disappearing, washing away into water.  The kind of innocence [I had] as kid turned into something more somber.”

Godshall always had it in the back of his mind to make a film about Louisiana’s wetlands.  He and Pasquier met and collaborated when they were attending LSU almost fifteen years ago.  After going to film school at UCLA and working on other documentary projects, he returned and became part of the LSU’s faculty.  Pasquier is a professor there as well, working in religious studies.  Together they decided to take the project on in earnest, but they knew the kind of film they wanted to make would be different from a typical story about environmental and cultural changes in the wetlands.  

“One of our primary goals was to capture the place.  And by 'place' we mean the people as well as the land as well as the water, all sharing the space and interacting with each other,” Pasquier said.  “To do that through film, we tried to balance visual representations of the landscape and the people.  We’re doing that because we’re portraying people in the landscape as well as listening to people talk about the landscape.”

Phyllis Melancon sorts through bait fish and shrimp on her and her husband's boat Tee Tim.  Photo by Michael Pasquier

Phyllis Melancon sorts through bait fish and shrimp on her and her husband's boat Tee Tim.  Photo by Michael Pasquier

Pasquier had built a lot of relationships in the area during some of his own scholarly work.  He handled a lot of the groundwork and early research for the film, and conducted the interviews with residents.  Godshall filmed and edited the movie.  Together they’ve focused on avoiding a traditional narrative format or a confrontational examination of cause and effect.  

Godshall said, “There’s no scientists, no experts in the film.  The closest thing we have to an expert is a local  librarian.  [The only political person] works for the levee board down there and has lived his whole life there, whose great-grandfather founded Leeville.”

This isn’t simply a history of the town either, even though it has a diverse and interesting past, both distant and recent.  In 2008, Leeville came under threat after fishing waters were closed after the Deepwater Horizon oil spill.  This was the injury after the insult of not being included inside any federal or state levee system post-Katrina and the rerouting of Highway 1 away from the town when it was rebuilt as an elevated toll road leading to nearby Grand Isle.  

The vulnerability of these people, both physically and emotionally, moved both men during the filming of the movie.  They may live in a situation that is unimaginable to many, even those just on the other side of Interstate 10, but they as much as anyone from an unrecognized community are eager for their story to be told and told accurately.  

“People have conceptions, if not misconceptions, about what life is like down there,” Pasquier said.  “It isn’t a Cajun pleasureland of happiness and joy [...] that you see in tourism commercials.”

Godshall explains, “Most of the population that is actually from Leeville is now actually farther north ‘up the bayou.’  The people that you would call holdouts, there’s really just a few original residents of Leeville that live there.  [The others] are people of means who have fishing camps or fishing outfits or just some people who want to live by the water and live a quiet life.”

Edward Borne shows off a Louisiana blue crab.  Photo by Zack Godshall

Edward Borne shows off a Louisiana blue crab.  Photo by Zack Godshall

A complex interaction of environment, industry, politics, science, and policy decisions loom in the background of these people’s lives, and that’s where the filmmakers decided to leave it.  Instead, they offer viewers an experience, a way to understand all communities that are threatened by similar situations around the globe.  Pasquier framed the film in terms of an invitation to audiences to dwell in a place and see how people react to change, and Godshall put it this way: “You’re going to get a very personal, intimate portrait of people that we meet.”

Following the screenings during the New Orleans Film Fest, Godshall and Pasquier will be participating in Q&A sessions.  They did these after screenings of rough cuts of the film last fall, and Godshall said they got quite lively and interesting.  “It couldn't be more timely.”

Water Like Stone plays at the Contemporary Arts Center on Friday, October 11th at 7:45 PM and at the Prytania Theater on Monday, October 14th at noon.  

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Ryan Sparks is the editor of Southern Glossary.  Follow him on twitter.